When Anton, an eternal slacker and the father of three-year-old Antonie, gets fired from his job at the supermarket, his girlfriend Soňa decides to go to France to earn money for the family as a pole dancer. Left alone to take care of a little girl in a society where men don't usually take paternity leave, Anton becomes the subject of ridicule.
With not much help around, the only support he gets is from the Roma family of his best friend Tibor. Slowly, while taking care of Antonie, he surprisingly finds the motivation he's always lacked in life. He gets back on his feet by dealing weed to mothers on maternity leave. This idyllic life is shattered when Anton's drunk stepfather cruelly remarks that Antonie isn't his daughter. The seed of doubt is planted and Anton starts to suspect his best friend Tibor, suddenly realizing all that he could lose.
Punk Film is a production company based in Prague, established in 2003, focusing on feature films, documentaries, animated films and series.
Its most significant projects in recent years include the survival drama The Last Race (2022) and the fairy tale The Magic Quill (2018), both awarded with Czech Lion national awards, the documentaries Girl Power (2016) about women in graffiti and the probe into modern forms of partner relationships Happily Ever After (2022), winner of the Audience Award at Ji.hlava IDFF, and the co-production of short animated films All Her Dying Lovers (2020) presented at Hot Docs or Middle Watch (2022) by John Stevenson, which was nominated for a BAFTA.
Punk Film is also involved in further projects, such as the Karel Zeman Museum, commercials and services, e.g. for the Turkish Netflix blockbuster Art of Love (2024).
Antonie addresses current social issues of a man on parental leave and the yearning for a place of one's own. Anton’s sudden introduction into the world of women at home with their children results in many humorous situations. With this contrast, I'd like to show the conservatism of society, specifically set in a socio-economically challenged environment in a large housing estate where Czech and Roma people live next to each other. There is one thing they can agree on, no matter the colour of their skin: Kids should be raised by mothers!
Life on the periphery is familiar to me from my documentary work. Antonie is a film that draws on social realism, remaining faithful to local aesthetics that evoke pop-art images full of colour. The set design is reminiscent of pop idols from the 2000’s and the sound is based on local rap music and techno.
Antonie is an intimate tale of unconditional love that takes us on a journey through raw and vibrant images. Despite the touching moments, we want the viewer to feel good and hopeful. Combining social drama with humour is already present in Rozálie's previous documentary films.
Antonie is Rozálie's debut feature, continuing our more than 15-year collaboration. Given that the film requires filming with a combination of actors and non-actors in authentic settings, Rozálie's documentary experience is a great advantage.
The film delves into social issues such as parenthood and prejudices. Although the characters are far from perfect, we want them to find a path towards their dreams, making them relatable for a wider, international audience.
The project is co-developed by Czech Television with the support of the Czech Film Fund.
Punk Film, s.r.o.
Veslařský ostrov 62, 147 00, Praha 4, Czech Republic
Email: [email protected]
Mobile: +420 606 945 446
Rozálie Kohoutová | Director, Scriptwriter
Email: [email protected]
Mobile: +420 777 554 978
Martina Knoblochová | Producer
Email: [email protected]
Mobile: +420 606 945 446
Tymek, a wild-at-heart 17-year-old, suffers from an episode of self-harm but pretends it was a funny accident. He doesn’t confess the truth to his loveless parents or the posh schoolmates whom he secretly hates. Instead of studying for finals, he runs away from home. He jumps off a train at the last moment and decides to stay in town to pursue the love of Zooey (19), a darkly witted expat. Initially cautious, Zooey embraces his impulsive yet loving nature. They kiss in the rain, crash a party and plan to leave the country together. But when Tymek accidentally bumps into his mother, his self-harming past strikes back. After publicly demolishing a restaurant and his own face, he is confined to a psychiatric ward. There he stands in truth with his suffering, which allows his love with Zooey to turn into a lasting friendship.
Established in 2022, Lumisenta Film Foundation focuses on international co-productions for both fiction and documentary films. It aims for projects of high artistic value and strives to create a safe space for young, ambitious creators to explore their individual paths. Lumisenta’s latest projects include Forest (2024) by Lidia Duda, which won the Silver Alexander at the Thessaloniki IDF, five awards at Millennium Docs Against Gravity, and the Grand Prix at the Clermont Ferrand Int'l Short FF. An Orange From Jaffa (2024) by Mohammed Almughanni received the Jury Award for Best European Film at Krakow FF (EFA 2024 short film category candidate). Currently, the company is developing projects such as The Slugs by Katarzyna Gondek (Biennale College Cinema) and Anxiety of the Heart by Michal Edelman (MIDPOINT Feature Launch).
Anxiety of the Heart is an urban odyssey following four days and nights in the life of a privileged yet neglected teenager desperately longing for human connection. Tymek balances on the edge of self-destruction but finds the will to live through love, friendship and honesty. The film will play with contrasts: naturalism and formal stylization, romanticism and brutality, humour and drama. We want to shoot in the cityscape of Warsaw (a city we grew up in), cast non-professional teenage actors and improvise on set. This approach will allow us to tell the story as the character-driven one that it is, formally resembling Tymek’s internal journey. From light-hearted romance in blooming park alleys to bloody, psychological drama set in dark, mean streets. A coming-of-age love story of self-harm, self-discovery and, ultimately, self-acceptance.
Anxiety of the Heart targets both young viewers and their parents, giving them a unique insight into teenagers' lives. We aim to contribute to the ongoing dialogue surrounding adolescent well-being by introducing characters designed to encourage love and compassion towards all of their strengths and weaknesses. Tymek’s story gives voice to those struggling but also bears the potential to inspire hope. This is urgent, considering the fact that suicide ranks second among causes of death for European youth. Anxiety of the Heart focuses on a perceptive audience for whom these crucial years are a time to be cherished, with all their excitements, hardships and imperfections. As long-time collaborators, we are confident in our ability to preserve the essence of the story within the production constraints.
Lumisenta Film Foundation
Felińskiego 4/3, 01-513, Warsaw, Poland
Email: [email protected]
Michał Edelman | Director
Email: [email protected]
Mobile: +48 511 622 915
Karol Marczak | Scriptwriter
Email: [email protected]
Mobile: +48 533 655 450
Patryk Sielecki | Producer
Email: [email protected]
Mobile: +48 798 317 999
Ruta (31), an Amsterdam-based Latvian movement artist, is invited to work together with Andra (75), the leader of the children folk-dance ensemble that Ruta used to attend. Creating a choreography for the woman who simultaneously inspires fear and awe in Ruta seems risky, but the up-and-coming artist cannot resist the tantalizing offer.
Returning to her home town of Riga, Ruta experiences abrupt success with folk-dance under the wings of Andra. Yet as she immerses herself in the environment of her childhood, long-buried resentments resurface. Before she knows it, Ruta finds herself caught up in Andra's power games and torn between her mentor and her mother.
Tasse Film, founded in 2011, is a Latvian production company run by producer Aija Berzina. The company’s main focus is the production of feature films and TV series. It also engages in developing new talent by collaborating with young filmmakers on their short and debut film projects.
Tasse Film's successful productions include films such as Mellow Mud (winner of the Crystal Bear for Best Film at Berlinale, Generation 14plus 2016), Oleg and Dogs Don’t Wear Pants (both films selected for Director’s Fortnight Cannes 2019), Miracle (premiered at the 2021 Venice film festival Orrizonti section), and the TV miniseries Soviet Jeans (featured at Berlinale Series Market Selects 2024, winner of the Audience Award at Series Mania 2024).
The Art of Biting Your Tongue is a journey into the topology of Ruta’s past – an environment where children are nothing but competitors in the arena of false meritocracy.
I intend to reveal the relationship between two women of different generations from Ruta’s subjective perspective as she sinks deeper into the emotional manipulations of Andra and her own childhood memories, which are often deceptive.
With this film, I want to explore the nature of past trauma, which tends to bear its mark long after it occurs despite the times that keep changing and a world that moves on.
We all carry past traumas that shape our lives. The Art of Biting Your Tongue explores this through the relationship between a teacher and her apprentice – the two protagonists who represent different personalities, generations and life experiences, mirroring the complexities of Latvian society and its national identity.
In an era of heightened awareness about mental health, making a film about a relationship with a narcissist is both timely and essential. By exploring themes of manipulation and self-discovery, we provide a platform for discussions about healthy relationship boundaries. This narrative is a call to awareness, offering both relevance and enduring significance. The Art of Biting Your Tongue is currently in its development stage and will be a co-production involving three countries. Our plan is to apply for production funding next year.
Tasse Film
Kr. Barona 32-6, LV1011, Riga, Latvia
Email: [email protected]
Mobile: +37 126466014
Ieva Norvele | Director, Scriptwriter
Email: [email protected]
Mobile: +371 28 485 622
Eszter Horváth | Scriptwriter
Email: [email protected]
Mobile: +31 6 12 73 98 62
Aija Berzina | Producer
Email: [email protected]
Mobile: +371 26 466 014
Sheltered Eli (17) is sent to spend the summer at her sister Karo's (34) rural farm to prepare for her exams. As Karo is too preoccupied with running the farm, Eli gains unexpected freedom and begins to escape from the boredom of her studies. She meets reclusive Adam (25), who grows close to Eli, and while at a party, she sleeps with charismatic Roma drug dealer Mariana (18), later learning from her that a house in the local Roma settlement has recently burned down. Poor conditions are claimed to be the cause, so the village votes to evict the Roma population, while Mariana believes that the fire was set intentionally and wants justice. As the summer fades away, Adam, tormented by the fight for Eli's affection, claims to have set the fire. Distressed, Eli confesses it to Mariana, which tragically escalates the dispute.
Perfilm is an independent production company based in Prague and founded in 2018. Perfilm focuses on films with strong creative value and international outreach, both fiction and documentary, as well as experimental films.
Perfilm's production portfolio includes several successful short films, such as Petr Pylypčuk's Eighth Day (Festival de Cannes – La Cinef) or Vojtěch Novotný's Paradise on Earth to See (PÖFF Shorts, Tallinn Black Nights).
Perfilm also has several feature films in development, such as Vojtěch Novotný's feature debut God Break Down the Door (MIDPOINT Feature Launch, Rotterdam Lab Award), Anna Wowra's feature debut In Good Faith, or Petr Pylypčuk's feature debut Eli and Them (MIDPOINT Feature Launch). The company's feature debut March to May (2024) by Martin Repka is premiering in KVIFF’s official selection .
I have a strong personal connection to this project because it is based on a place where I grew up: a poor North Bohemian village that, beneath its sleepy surface, is full of anger, powerlessness and unresolved tension between the white majority and the Roma minority, making the multi-dimensional portrayal of this rural environment crucial for me to capture in a contemporary Czech film. I want to approach the subject matter in a way that is naturalistic and free of dogma and cliché, depicting the microcosm of the village and its inhabitants with scrutiny but without judgment while focusing on the coming-of-age journey of Eli, experiencing this world through his lens as he gets caught up in its complex inner life.
Eli and Them is a coming-of-age story that places the titular character into the foreign environment of a rural Czech village. This unique setting allows us to explore the themes of the perils of human coexistence – whether in family relationships, between a town’s neighbours and even coexistence within oneself. The project is a debut feature both for me as a producer and Petr as the director, following our latest collaboration – the short film Eighth Day, which premiered at Cannes IFF and was screened at multiple other festivals around Europe. The development of the film was recently supported by the Czech Film Fund, and we’re aiming for a production date in summer of 2026. We’re currently seeking international partners who share our passion for the themes of the film and will help to bring Petr’s vision to the screen.
Perfilm
Klimentská 1772/48, 110 00, Prague, Czech Republic
Email: [email protected]
Petr Pylypčuk | Director, Scriptwriter
Email: [email protected]
Mobile: +420 725 892 554
Kryštof Burda | Producer
Email: [email protected]
Mobile: +420 606 325 372
Chinese artist Qing (25) has been hanging around Hamburg for two years on a language student visa. He now faces deportation by the German authorities for poor performance in his German class. Syrian cook Bassam (35), the best student in his class, agrees to help Qing prepare for the upcoming exam. As they learn various grammar rules together, a mutual attraction develops. However, Qing struggles with Bassam's discipline, while Bassam suffers from his own jealousy. After a night of passionate sex, Bassam disappears. With Bassam gone, Qing fails his exam, but realises that he has learned much more than German and that Bassam's departure was his last lesson. A few years later, Qing has let go of the past and is living in another city. By chance, he meets Bassam again.
Founded in 2016, Fünferfilm produces feature films, documentaries and shorts and has established itself internationally with its repertoire of auteur films and outstanding cinematic signatures. Its first feature film, Drift (2017) by Helena Wittmann, premiered at the Settimana de la Critica in Venice. The company's other titles, such as Wittmann's second feature Human Flowers of Flesh (2022) or the documentaries Olanda (2019) and Reproduktion(2024), have been screened at renowned festivals worldwide, such as Berlinale, Locarno IFF, IFFR and many others. Meanwhile, Fünferfilm is not only working on Helena Wittmann's third feature film, but also on several debuts by other up-and-coming filmmakers such as Willy Hans, Salka Tiziana, Luise Donschen and Popo Fan.
Writing this script reflects my own journey of discovering the meaning of freedom. In the beginning, Qing is driven and distracted by his immediate desires, while Bassam believes in self-discipline to get what he wants. Only when they lose each other do they realise that freedom is found in letting go. The German language is famous for its complicated grammatical rules, which represent the disciplines imposed on newcomers coming from "unfree" countries into a neoliberal world. The script is structured by different grammatical terms, which underline the status of the unbalanced relationship between the two characters. My cinematic vision will combine contrasting darkness and light, capturing the complexity of the characters and communities I want to present on screen. With the ending, I aim to inspire hope in those who are struggling.
Chinese director Popo Fan's debut feature Grammatik is inspired by the filmmaker's own experiences. Born and raised in Jiangsu, Popo has been living in Germany since 2017. His debut film, which tells an unbalanced love story in a migrant setting, shows the linguistic and non-linguistic encounters between people from different cultural contexts. As in his short films, the writer-director plays with clichés and prejudices about migration and sexuality in a humorous and pointed way. We are impressed not only by the versatile styles and approaches of the director's cinematic language so far, but also by the intersectional perspective he brings to the screen. A classical love story set in a queer migrant setting is something that has rarely been portrayed before in cinema.
Fünferfilm
Otzenstr 12, 22767, Hamburg, Germany
Email: [email protected]
Popo Fan | Director, Scriptwriter
Email: [email protected]
Mobile: +49 17 878 273 36
Julia Cöllen | Producer
Email: [email protected]
Mobile: + 49 17 663 204 892
Miro (40) is nearing the end of his prison sentence. He spends his free weekends with his children from a previous relationship, David (13) and Mia (8), attempting to embark on a fresh start to fatherhood. The challenging relationship with rebellious David tests Miro's patience to its limits. As he takes his children to his parents' countryside house, memories begin to surface, slowly unravelling Miro's troubled childhood and abusive father and finally revealing his attempt to murder him, an act which ultimately led to Miro's imprisonment.
Bela Film was established in 1998 and has since become one of Slovenia's leading production companies. Its track record includes over 35 titles, primarily art-house feature films, creative documentaries and shorts that have been presented at numerous festivals, including Berlinale, Cannes IFF, Clermont-Ferrand Intl Short FF and IDFA. The company is led by Ida Weiss (ACE, EAVE, EWA and an EFA member). Her recent productions include short films Around the Corner (featured at over thirty festivals, including Uppsala SFF) and Sports Day (Premiers Plans d'Angers), as well as the children's feature Beanie (featured at over thirty festivals, including Cinekid, with more than 120,000 cinema admissions in Slovenia, Croatia, Slovakia and Luxembourg).
At the heart of Horses is the relationship between father and son from its darkest and brightest sides. The more I research, the more my own memories, wounds and hopes come alive: as both a son and a father, I often encounter fears that are sometimes rooted in my childhood, while I inadvertently create others myself. The main perspective from which I want to tell this story is the slow and gradual discovery of the situation in which the protagonist finds himself and the connections between the present and the past. Through the emphasized presence of time and space, which are not caught in the camera's view or in the film story, I want to encourage questions that will help us see beyond the typical "frame" and, while doing so, perhaps gain a better understanding.
The concept of intergenerational trauma, which acknowledges that the effects of these experiences can leave a lasting impact on family members and can be transmitted to the next generations, has always intrigued me. I became even more aware of this when I became a parent myself, realizing how my behaviour and actions influence my children. The family context of trauma can either be devastating or healing depending on whether and how someone addresses it. This project profoundly resonated with me in understanding these dynamics and depicting the choices the main character must make to break the cycle. Horses is a debut feature film with a strong artistic vision, resonating with humanity in violent times and broken values.
Bela Film
c/o Senca Studio, Trg prekomorskih brigad 1, 1000, Ljubljana, Slovenia
Email: [email protected]
Jernej Kastelec | Director, Producer
Email: [email protected]
Mobile: +386 41 501 878
Ida Weiss | Producer
Email: [email protected]
Mobile: +386 41 508 791
Klára and Péter are retirees who have been married for 50 years. Klára has been suffering from dementia for a long time and Péter is devoted to taking care of her. However, the constant care takes a toll on Péter's health, so under pressure from the family, he agrees to put Klára in a care centre for the elderly. Péter feels lost and lonely without the task of nursing Klára, when one day he meets Andrea, Klára's younger, free-spirited friend, and they are drawn into an intense sexual affair. Péter's life slowly starts to change – while he spends his days discovering his growing feelings towards Andrea, his nights are dedicated to nursing Klára. When the catatonic Klára escapes from the care centre and catches the couple in the act, she starts to have lucid episodes. Péter faces reality: he loves two women, but has to choose one.
Proton Cinema is a Budapest based, independent film production company that was founded in 2003 by producer Viktória Petrányi and director Kornél Mundruczó, who have been co-creators since university. The company has brought together a well-working team and made several films, including international co-productions, which have been premiered and showcased at A-category film festivals: Explanation for Everything (2023) dir: Gábor Reisz (Venice Film Festival Orizzonti), Evolution (2021) dir: Kornél Mundruczó (Cannes Premiere), Wild Roots (2021) dir: Hajni Kis (Karlovy Vary Film Festival), Pieces of a Woman (2020) dir: Kornél Mundruczó (Venice Film Festival Competition).
All my grandparents suffered from dementia before they died. I've always been sure that even though they didn't understand what was going on around them, they were still feeling it. This film is about the morbid beauty of life, passing away and moving on at the same time. It contrasts passionate, honest, old-age love with a fleeting, love-filled 50-year-long marriage. With sensitivity, humour and love, my film speaks of the complexity of human nature: the banality and the brutality of loving two people at the same time. Klára Is Here captures the emotionally stirring moment of a final fling and the end of a marriage in a restrained and unadorned style from the perspective of a 73-year-old man.
By working with Dávid for a number of years previously, I am certain that he has a strong sense of narrative storytelling with multi-layered characters. The concept of Klára Is Here was born as a low-budget project – a few characters in a few locations, an idea that helps us keep our focus on the dramatic structure and character-based storyline. The intended budget of the production is based on funding available for first-film directors in Hungary, and we would like to strengthen both the financing and distribution potential of the project by finding a co-production partner. Since the story is not connected to a specific country and the subject is relevant in every market, we aim to proceed into the pre-production phase with a co-producer from the Central/Eastern European region.
Proton Cinema Kft.
Pozsonyi út 14., 1137, Budapest, Hungary
Email: [email protected]
Dávid Csicskár | Director, Scriptwriter
Email: [email protected]
Mobile: +36 203 923 254
Balázs Zachar | Producer
Email: [email protected]
Mobile: +36 306 416 770
After initiating legal proceedings against the police on behalf of a victimised migrant family, lawyer Daria (37) begins to confront her personal traumas. As a child during the war in the 1990s, she witnessed the abuse of her father Milan (70) by the police due to his "wrong ethnicity". On the other hand, she blames her mother Katica (64) for having an affair with her father's former colleague Zlatko (67), who was their protector at the time. In her fight against the police, she is aided by policeman Goran (37), whom Daria has known since childhood. As a lawyer, Daria tries to win justice for her clients, which as a girl she could not do for her family while facing the same challenges as her mother. Daria needs to accept the frightened little girl inside of her and forgive her mother, who at the time didn’t know any better.
MEHANA is a young production company based in Zagreb and founded by director Bojan Radanović. The company focuses on current social issues. In 2024, producer Sabina Krešić joined the company. She previously collaborated on films such as Factory to the Workers, A Day, 365 Hours, Jump Out and High on Life, which have been screened and awarded at various prestigious festivals such as Sarajevo FF, Sheffield Doc/Fest, True/False FF, Trieste FF, Tallinn Black Nights and FIPADOC.
This story is based on a real-life event which occurred at the Croatian–Serbian border, where an Afghan girl was killed by a train and police denied all responsibility. As with the main character, this event brought back my personal memories of traumatic experiences from the wartime of the 1990s. Driven by her specific trauma, Daria gives the impression that she’s using her clients’ experiences to heal something within herself. Her mother Katica is someone Daria does not want to become, but her situation pushes her into that form. A friend named Goran represents a link between Daria's past and her present. This is a story that primarily deals with an individual, but in the context of a global crisis.
Pushback presents the story of a family damaged by the trauma of war and injured by a repressive system, envy, fear and patriarchal dominance. There are very few stories in Croatian cinematography that portray the condition of a minority family that has undergone twofold trauma. The project will be a multilateral European co-production, as the topic is still very contemporary and common to European countries. We are planning to bring experienced talents and co-producers to the project who can support a first-time feature filmmaker and help to reach a wide audience, especially during theatrical realisation.
The world premiere is planned for a film festival that supports first-time feature filmmakers.
MEHANA
Avenija Većeslava Holjevca 38 D, 10020, Zagreb, Croatia
Email: [email protected]
Bojan Radanović | Director, Scriptwriter
Email: [email protected]
Mobile: +38 598 611 632
Sabina Krešić | Producer
Email: [email protected]
Mobile: +38 595 869 0543
A frivolous 18-year-old boy in a small village in Crete, George, prepares for the start of his compulsory military service while his white ball python starts shedding its skin. Meanwhile, a charming childhood friend, Phaedon, returns after years of living abroad. During one of the last careless summer nights, under the blurring influence of ecstasy, George and his girlfriend, Katerina, share a sexual fantasy with Phaedon. The scorching summer sun unveils George’s sexual awakening for the boy, but the sudden news of Katerina’s unwanted pregnancy disturbsGeorge's ability to foresee an alternate future. When a mysterious pale white sunburn appears on their bodies, George is forced to kill in order to survive. In the end, Katerina and the python may be able to redeem him.
Atalante Productions is a boutique film production company founded in 2021 by Ioanna Bolomyti and based in Athens, Greece. Ioanna's filmography includes majority productions and co-productions of feature and short films, focusing on new talents, including Thanasis Neofotistos’ Airhostess-737 (Locarno IFF 2022, Toronto IFF 2022, Sundance IFF 2023), Asimina Proedrou’s Behind the Haystacks (Palm Springs IFF 2024, 10 Hellenic Film Academy awards, including Best Feature, 6 awards at Thessaloniki IFF 2022, Best Debut Award at Goa IFF 2022) and Sonia Liza Kenterman’s Tailor (Tallinn Black Nights IFF 2020, nominated for Best Foreign Language Film at the Japanese Film Academy Awards).
Atalante’s latest feature film is The Summer with Carmen (2023) by Zacharias Mavroeidis (premiere at Venice IFF – Giornate degli Autori, AFI Fest).
Sunbruise is a queer, coming-of-age escapism story infused with supernatural elements and portraying a young boy in search of some kind of solace. Young people always dream of freedom, but what happens when they are deprived of this right? Under the scorching sun, these young bloods balance their lives with the dictations of the past and the promises of the future. The film imitates this in-between state of existence by embracing the theological and spiritual residues that still dominate the Greek countryside while proposing a raw and surrealist getaway. The youths’ nightmares will be shed in this enclosure, while the mirages on the river’s surface mirror their shiny, new-born skin. George, sunbruised, will fight against this close-minded society and search for a liberating escape in between the real and the imaginary, as if in a lucid dream.
Sunbruise is a project that distinctly reflects some of the worries and preoccupations of the younger generations entering adulthood: how to deal with origin, expectations, social constructs and tradition while trying to grow into one’s own “adult skin”. All these themes are dealt with by following a central thread through the film, which is the weight the traditional male figure has – both within families and societies – and how toxic it can be. The film also deals with the current confusion among young people in the Greek countryside, originating from the influence of the West and the legacies of the past and the East. This contemporary “limbo” state of the younger generation, the generation “with no-future” as it’s often called, of course transcends the boundaries of Greece and can be found in every aspect of Western civilization.
ATALANTE PRODUCTIONS
7 Thessalias str.,, 15354,, Athens, Greece
Email: [email protected]
Stavros Markoulakis | Director, Scriptwriter
Email: [email protected]
Mobile: +30 698 449 0784
Ioanna Bolomyti | Producer
Email: [email protected]
Mobile: +30 697 374 2791
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