Another View 2002 / Chen Mo he Meiting / China, Germany 2002
Chen Mo arrives in Beijing from the country to try to make a living; Meiting works in a small hairdressing salon. They meet by chance but, because they both lack a family environment, they try to provide support for one another. Thus they begin playing a strange game of mother and father, but all games come to an end, to be replaced with the bitter realities of life.
This story about a young village boy and a girl from the city takes us to Beijing at the turn of the century. Chen Mo, who was brought up by his older brother after the death of their parents, is looking for work so he can pay for his brother’s operation. Meiting, who has just run away from her aunt and uncle, makes money as a hairdresser. The young couple, suffering from a lack of parental love, meet when Chen Mo is on the run from the police. He has been selling flowers without a permit and, to save them from confiscation, he hands them to Meiting and disappears. He returns for them the next day but the girl no longer has them, her callous boss having forced her to get rid of them. Both the disinherited children seek support from one another and so they devise a strange game: on Mondays, Wednesdays and Fridays the young man is to play the part of the girl’s father, while she looks after him as if she were his mother on Tuesdays, Thursdays and Saturdays. The small room they share is filled with laughter and song, but all games come to an end. Meiting finds refuge in the street in order to make extra money as a prostitute but soon realises the strength of their mutual feelings. Chen Mo tries to find her, but when he does, it is too late.
78 min / Black & white, 35 mm
Director Liu Hao
/ Screenplay Liu Hao
/ Dir. of Photography Li Bingqiang
/ Music Song Ge
/ Editor Li Qing
/ Producer Liu Hao
/ Production Liu Hao Film Production
/ Cast Wang Lingbo, Du Huanan
Liu Hao (b. 1969, Shanghai) worked as a journalist for a Shanghai paper and then in Hong Kong, but he was increasingly attracted to the world of film. In 1995 his music video film based on a Beijing opera The Drunken Concubine won a Shanghai video competition and, four years later, he graduated in film direction from Beijing Film Academy. This feature is his directorial debut. “I am intimately familiar with the life of girls who work in hairdressing salons and the people who secretly sell flowers in the street”, says the director. “They were my neighbours when I first arrived in Beijing, so I was able to closely observe their fears and dreams of a better life. Whenever I talked to them, I longed to stand them in front of the camera and film their story”.
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