There are demonstrations in Bangkok but the insects on the white bed linen have other concerns, if they have any at all. In his short film hovering on the border between dream and wakefulness Apichatpong Weerasethakul again blends familiar banality with the realm of the dead. While fluorescent lamps attract night-time creatures, some of them are more interested in the food that’s been left out – and a curious stillness hangs in the air.
There are demonstrations in Bangkok but the insects on the white bed linen have other concerns, if they have any at all. In his short film hovering on the border between dream and wakefulness Apichatpong Weerasethakul again blends familiar banality with the realm of the dead. While fluorescent lamps attract night-time creatures, some of them are more interested in the food that’s been left out – and a curious stillness hangs in the air.
Viktor Palák
14 min / Color, Data Files
Director Apichatpong Weerasethakul
/ Screenplay Apichatpong Weerasethakul
/ Dir. of Photography Chatchai Suban
/ Sound Apichatpong Weerasethakul
/ Editor Apichatpong Weerasethakul
/ Producer Brad Becker-Parton, Andrea Roa Producer, Jeff Deutchman
/ Production NEON Rated, Animal Kingdom
/ Coproduction Giraffe Pictures, Redience, Crater 203, Kick the Machine
/ Sales The Match Factory
Apichatpong Weerasethakul (1970, Bangkok, Thailand). Selected filmography: Syndromes and a Century (2006), Uncle Boonmee Who Can Recall His Past Lives (2010), Cemetery of Splendor (2015), Memoria (2021).
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